Computer Arts (November 2003)

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Uk). lex Maclean’s opening comment is distinctly Airside. The idea that a cult 70s TV show like The Clangers could be a driving force behind their prolific output begins to make sense once you look at their work. ” Airside appears to have conquered the design world without even trying particularly hard. ” Very broad indeed – Website and print, stings, idents, music videos, WAP and digital TV interfaces, record covers and club layouts, brands and identities, T-shirts, postcards, bags, screenprints and toys.

We tortured ourselves about how to go about it, whether to use stop-frame animation or whatever. Eventually, we nailed down the storyboard and, after casting around for weeks looking for someone to produce the animation, stumbled across the fact that our next-door neighbours, Tandem Films, is a big animation company. So we literally knocked on their door. It was about six weeks’ production time in the end. ” THE GOODS Like an increasing number of design companies, Airside has also turned its hand to creating and selling its own mechandise.

When it comes to Websites, my skills are somewhat old-fashioned – I still use BBEdit. ” THE JELLY If there’s an Airside visual style, it originates from Fred Deakin’s flyer designs for the clubs he used to run. ” 1. This album cover for Lemon Jelly’s Lost Horizons features a triple gatefold scene from city to beach. It was designed and produced with Sam Burford from Transient. 2. Poster illustration for VWRadio, Volkswagen’s Internet radio station: “What a lovely job to do,” recalls Maclean. ” 3.

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