An Introduction to Indonesian Historiography by Soedjatmoko

By Soedjatmoko

Within the first significant paintings on Indonesian historiography to have seemed in any language, twenty-two extraordinary students survey on hand resource fabrics in Asia and Europe and talk about the present country of Indonesian historic scholarship, the techniques and strategies that will be fruitful for destiny study, and the issues that confront Indonesian historians this present day. The contributions which might be made to ancient reports via different disciplines - akin to economics, sociology, anthropology, and overseas legislations - are mentioned through experts in those fi elds. difficulties of Indonesian historiography are provided not just from issues of view of the diff erent social sciences, but in addition from these of historians who fluctuate in strategy and interpretation from each other. This distinctive paintings, now introduced again to lifestyles in Equinox Publishing's vintage Indonesia sequence, proves to be nice price to historians and social scientists as an creation to either resources for and diff erent methods to the heritage of an enormous a part of the area. Edited by means of considered one of Indonesia's prime students, Soedjatmoko, in addition to Mohamad Ali, G.J. Resnik and George McT. Kahin, An creation to Indonesian Historiography gains contributions from John Bastin, C.C. Berg, Buchari, J.C. Bottoms, C.R. Boxer, L. Ch. Damais, Hoesein Djajadiningrat, H.J. de Graf, Graham Irwan, Koichi Kishi, Koentjaraningrat, Ruth T. McVey, J. Noorduyn, J.M. Romein, R. Soekmono, Tjan Tjoe Som, F.J.E. Tan, W.F. Wertheim and P.J. Zoetmulder.

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3. 4. 5. 6. 7. 8. 9. 10. 11. 12. 13. 14. 15. 16. 17. 18. , 23. Ibid. , 39. Louis Starr, “Oral History,” in Encyclopedia of Library and Information Sciences, ed. , vol. 20 (New York: Marcel Dekker, 1977), 443. Alistair Thomson, “Four Paradigm Transformations in Oral History,” Oral History Review, 34(1) (2007): 68; Doug Boyd, “Achieving the Promise of Oral History in a Digital Age,” in The Oxford Handbook of Oral History, ed. php/digital_studies/article/view/173/215, accessed June 23, 2014; Michael Frisch, “Oral History and the Digital Revolution: Toward a Post-Documentary Sensibility,” in The Oral History Reader, ed.

Thomas Charlton, Lois Myers, and Rebecca Sharpless (Walnut Creek, CA: AltaMira Press, 2006), 211. 14. Paula Hamilton and Linda Shopes, Oral History and Public Memories (Philadelphia: Temple University Press, 2008). 15. Schneider, . . So They Understand, 161–168. 16. Michael Frisch, A Shared Authority: Essays on the Craft and Meaning of Public and Oral History (Albany: State University of New York Press, 1990). 17. edu/aprc/brewster1/. 18. Carrie Nobel Kline, “Giving it Back: Creating Conversations to Interpret Community Oral History,” Oral History Review, 23(1) (1996): 19–40.

0 very familiar: Curation Digital Humanists recognize curation as a central feature of the future of the Humanities disciplines . . Curation means making arguments through objects as well as words, images, and sounds. It implies a spatialization of the sort of critical and narrative tasks that, while not unfamiliar to historians, are fundamentally different when carried out in space—physical, virtual, or both—rather than in language alone. It means becoming engaged in collecting, assembling, sifting, structuring, and interpreting corpora.

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